DURGA PUJA: PART 4
Pujor Lorai
A photographic journey unfolding Kolkata’s
Baroyari pujas
After
a photographic documentation of Kolkata’s traditional household pujas in the
earlier post, here comes the style statement of the metro city. Kolkata is a
mixed bag of traditional and theme based baroyari
pujas (community pujas). As years are passing by, the city is heading
towards more of theme pujo rather
than the celebration in its traditional style. The idea of theme pujo is a deviant from the conventional fashion of pandal and
sabeki protima (traditional style of Durga). The pandals are constructed based
on a specific theme and the idols are made in accordance with the pandal. An off-beat celebration of Durga puja has emerged
in Kolkata through the contemporization of the art forms.
Two
young men of Kolkata have taken the initiative for a photographic venture to
conquer the flavour of traditionality and contemporality of the occasion in
parts and corners of the city of joy. Let me document the journey from South to
North Kolkata.
Chetla Agrani
club, South Kolkata
The
theme of Jodhpur Park Sarbojonin Durgotsav is based on Eiffel tower of Paris.
As the picture depicts, the main entrance of the pandal has been made replicating
the Eiffel tower.
Illuminated
Eiffel tower at the entrance gate
Jodhpur Park, South Kolkata
The following photograph depicts the huge illuminated jhaar (mass of lamps) inside the pandal. Jodhpur Park is one among the few community pujas of Kolkata; which use huge illuminated mass of lamps inside the pandal.
Illuminated Jhaar
Jodhpur Park, South Kolkata
66
Pally puja committee near Rashbehari Avenue, Kolkata has used paper boards to
decorate their pandal.
Paper boards in
use, Debi Durga with an artistic look
66 Pally, South Kolkata
Babubagan
Sarbojonin Durgotsav has portrayed Debi Durga as a symbol of power. The blue
light makes a mysterious ambience within the pandal.
The
Haunted Blues
Babubagan Sarbojonin Durgotsav, South Kolkata
The collage showcases some other pujas of South
Kolkata based on several themes. The backdrop of the collage portrays another
kind of jhaar (a huge mass of
illuminated lamps) at the ceiling of the pandal.
The unconventional
touch: South Kolkata at its best
Now, take a look at the crowd and queues of people across
the streets of Kolkata during the puja days.
The illuminated
streetscape, South Kolkata
Here is the time to step upon the streets of North
Kolkata. College square is a special mention here. The puja is famous for its
luminous arrangement upon and around the college street lake. The pandal is
constructed upon the lake and decorative lighting illuminates the whole area. The
idol, the pandal and the jhaar on the ceiling, all project a traditional look.
Left: Pandal on
college street lake
Right: Alo-r
Jhaar (huge illuminated mass of lamps)
College Square, North Kolkata
The decorative
luminosity
College Square, North Kolkata
Sreebhumi Sporting club is an example of typical sabeki baroyari puja (traditional
community puja), both in terms of pandal and idol. Maa Durga and her family get
decked up with original golden ornaments.
Sabeki protima,
Sreebhumi Sporting club, North Kolkata
All that
glitter, are not gold: The pandal
Sreebhumi Sporting club, North Kolkata
Bagbazar Sarbojonin Durgotsav in North Kolkata has
gained repute for its unique style of ek-chalar
daaker saaj. This specific style with
white-coloured dress and the single backdrop of five idols is known as daaker
saaj. The eyes of the idol portray Jamini
Roy style as discussed in the earlier post.
Daaker Saaj
Bagbazar Sarbojonin Durgotsav, North Kolkata
Here are some glimpses of theme pujas in North
Kolkata. Kumortuli Sarbojonin projects Durga as Vishwamata (the mother of the
world). Hatibagan Sarbojonin uses horns of ox in making the pandal as well as
the idols.
Vishwamata: The
protective mother of the world
Kumortuli Sarbojonin Durgotsav, North Kolkata
Use of ox-horn
in pandal and idol making
Hatibagan Sarbojonin Durgotsav, North Kolkata
The flying
goddess
Shikhdarbagan Sarbojonin Durgotsav, North Kolkata
Theme for Telengabagan and Rabindra
Sarobar Sarbojonin Durgotsav is chariot. The pandals are made in the form of horse-driven
chariot and the bodies of the idols resemble the shape of god Jagonnath.
On the Wheels:
Arrival of Maa Durga on chariot
Left: Telengabagan, North Kolkata
Right: Rabindra Sarobar Sarbojonin Durgotsav, South Kolkata
Authors' Bio-Note:
Joydip Datta is pursuing his Masters in Geography from Department of Geography, Delhi School of Economics, University of Delhi.
Niladri Roy is a documentary film maker, film editor & graphics designer based in Kolkata. He has worked with renowned film maker; Mr. Goutam Ghosh in his various projects. Besides this profession, he has a passion in photography. Presently he is working on a photo story and documentary film, which is his dream project.
Series Editor: Nirmita Roychowdhury
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